Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik


"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully



"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".
Blog
Flickr

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

USk National Meeting in Brazil 2019 with workshops!


Happy to invite all Urban Sketchers to the annual National Meeting of USK Brazil'19!!

This year's meeting will be held in the historic city of Ouro Preto (state Minas Gerais) - the cradle of Brazilian baroque, from 20 to 23 of June.
The event gathers 250-350 participants, every day includes 2 locations for sketching and ''Sketch and Drink'' at evening time.
Guaranteed intensive practice and exchange of experience.
____
Useful links:
Instagram | Facebook | Registrations

About the workshops:
Dear Urban Sketchers of Brazil and of other regions!
In response to numerous requests, we decided to include some workshops in the program of the 4th USK Brasil 19 Meeting.

Place: Belo Horizonte city
 
Dates: June 17-19



Programming:


June 17th
10h00 - 13h00
"Drawing of Daily Poetry"
with Raro de Oliveira (workshop at the Grande Hotel Ronaldo Fraga)
14h30-17h30
"Drawing of Daily Poetry", with Raro de Oliveira (practice in the Central Market of BH)
https://www.instagram.com/rarodeoliveira/

The activity of urban sketcher is very personal, and the pleasure that we find in the scene to be drawn is fundamental to the graphic result. In the workshop we will train the look to the daily stuff, how to find lyric everywhere, how to make good drawings in any life situation. Also participants will try to make a text a part of composition of one of the page of sketchbook. We will practice how to make the best use of the materials we have at hand - could be simple pens, dried marker, or piece of blunt pencil. Workshop divided in 2 parts:
1. theoretical part: Lecture with examples of works of different authors on the same topic, and demonstration of basic technique of work with different art material (mixed technique). Discussions about the concept of lyric sketching.
2. practical part: Live sketching, using the knowledge of the theoretical part of the class. Setting a common task for group and individual aim of each participant. Mini exposure of the final works and analysis of the results.




June 18th
10h00 - 13h00
"Sensitive Perspective of the City", with Mateus Rosada (workshop in the Grande Hotel Ronaldo Fraga)
14h30 - 17h30
"Sensitive Perspective of the City", with Mateus Rosada (practice in Freedom Square)
https://www.instagram.com/mateus.rosada.sketches/

The activity of urban sketcher is very personal, and the pleasure that we find in the scene to be drawn is fundamental to the graphic result. In the workshop we will train the look to the daily stuff, how to find lyric everywhere, how to make good drawings in any life situation. Also participants will try to make a text a part of composition of one of the page of sketchbook. We will practice how to make the best use of the materials we have at hand - could be simple pens, dried marker, or piece of blunt pencil. Workshop divided for 2 parts:
1. theoretical part: Lecture with examples of works of different authors on the same topic, and demonstration of basic technique of work with different art material (mixed technique). Discussions about the concept of lyric sketching.
2. practical part: Live sketching, using the knowledge of the theoretical part of the class. Setting a common task for group and individual aim of each participant. Mini exposure of the final works and analysis of the results.



June 19th
10h00 - 13h00
"The Human Scale in Urban Sketching" with Kei Isogai (workshop at the Grande Hotel Ronaldo Fraga)
14h00 - 16h00
"The Human Scale in Urban Sketching" with Kei Isogai (practice in front of the Grande Hotel Ronaldo Fraga)
https://www.instagram.com/keiisogai/

This workshop was created for represent some basic concepts of perspective and to show some unusual varieties of perspective. Workshop divided for 2 parts: 
1. theoretical part: Lecture with examples of works of different authors on the same topic. A little about how important perspective is in urban sketching. Present a general notions of perspective, vanishing point, horizon line, etc.
2. practical part: Some perspective training, applying perspective to drawing of simple objects. Live sketching, using the knowledge of the theoretical part of the class. Setting a common task for group and individual aim of each participant. Mini exposure of the final works and analysis of the results.


INVESTMENT:
Full registration (3 workshop) = R$ 550
Registration for 2 workshops = R$ 410
Registration for 1 workshop = R$ 280

All workshops were approved by the USK World Committee
Open to participants with any level of experience.
Certificate at the end.

Our sponsors:

- CopicBrasil and Dezaina (official representatives of Copic) https://www.instagram.com/copicbrasil/, https://www.instagram.com/lojadezaina/
- Editora Gustavo Gili Brasil https://www.instagram.com/editoraggbrasil/
- Shop MADE IN BEAGÁ https://www.instagram.com/madeinbeaga/
- Dina shop (official representative of Hahnemuhle) https://www.instagram.com/dinashop.com.br/

For registration contact by e-mail svchurek@gmail.com
_________
links:
https://www.instagram.com/urban_sketchers_brasil/
https://www.facebook.com/events/1179253548907849/

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