Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik


"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully



"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".
Blog
Flickr

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Watermarks - PYSB Brighton 2019




Brighton has been a seaside resort fashionable since the early nineteenth century. It’s culture and festivals are renowned and has recognisable architecture with notable buildings such as the Royal Pavilion, the West and Palace piers, and now the i360. It has a great diverse community, a great music and arts culture scene, and great quirky shopping areas; recently, it has been said to be the “happiest place to live in the UK”.

The seafront gives it its edge and outlook to the sea where there are now a huge array of wind turbines on the horizon. The workshop will be hosted nearby at The Marwood Cafe in The Lanes, near many of the venues where will be out sketching.
During both morning and afternoon workshop sessions we will be out sketching in various locations along the seafront, the North Laines, the Pavilion Gardens, The Lanes, the beach, seeking out views and activities that makes us want to sit down and enjoy painting them. See the workshop map here.

Join urban sketchers Maru Godas, Marina Grechanik and Isabel Carmona for this 3 full days workshop. It will be fun but hard work, as you will be enjoying learning and experimenting all the time, trying out different ways of water based painting and mark making,using colour in all forms without fear, sharing the work we do and discussing our findings intensely.

Each of the instructors will explore different ways of using watercolours and Water Marks in the context of urban sketching.

Light and Shade in Watercolour (Isabel)

We will explore Brighton seafront and enjoy this city in the summer when there is strong light and shadow contrasts. I love Brighton and don’t tire of sketching it, I’ve been doing it for over 20 years now, with its open views of the beach and its piers on the sea, its urban architecture and street scenes.
Using watercolour as the main medium, we'll explore the idea of colour and contrast as the starting point of a sketch. We will start by deciding where the lightest points of the sketch are, the paper, and where the deepest shadows will be, the strongest colours.





We will learn to abstract what we see, using colour boldly and with strong contrast. Drawing can take place later either with more colour more linear marks or with pen if preferred.

This workshop will help people to simplify the complex architecture and landscape and not be shy about painting views that in the first instance might appear too difficult.Starting with only with watercolour drawing with light and colour we will look for those elements of the view that interest us.

And slowly building up the watercolour layers to add complexity and depth to our work, adding a variety of marks to the sketch to increase its richness. We will practice and experiment mark making in watercolours and finally decide whether any additional marks are needed.




Water Feeling, a mixed media experience (Maru)

In this workshop we will focus on mixed media experimentation to explore the environment through pictorial languages. Water, color and emotions will be the topics. Chinese ink, watercolor graphite and gouache will be the techniques. 

session 1: the joy of grays
In the first session, we will explore new resources of black and white and shadows of grayscales. For this, we will work with black ink, black and white gouache, and water soluble graphite.

We will look for a sensitive view of the environment and try to convey different emotions in our sketches.





Participants will:
  • Explore the Chinese ink behavior
  • Learn how to get the most out of water-soluble graphite technique
  • Play with textures and spot accidents to express our feelings




session 2: wash & gouache

In the second session, we will work with gouache.
We will explore gouache densities and behaviours, like a watercolour and acrylics. Spot and strokes.


Participants will:

  • Take first contact with gouache painting. Basic palette and first steps
  • Play with colours and textures.
  • Learn how to plan a “plein air” scene. (synthesis and composition)
  • Layering technique using different densities of gouache








Portraits in Watercolour (Marina)

"With watercolour, you can't cover up the marks. There's the story of the construction of the picture, and then the picture might tell another story as well."

"Faces are the most interesting things we see; other people fascinate me, and the most interesting aspect of other people - the point where we go inside them - is in the face. It tells all."

David Hockney




The subject of this workshop combines my two greatest loves: people and watercolour.

We'll practice drawing people, focusing on the most fascinating part - their faces - and will learn to tell stories through the portraits. We’ll expand our margins by using watercolours in non-traditional and less academic ways.



Every child is familiar with a box of watercolours. It is compact, portable, and at first glance looks easy to use and doesn’t require any special knowledge or background. All you need is some water and a brush and vibrant, bright colours will fill the sheet of paper, creating anything to which you put your mind!
Watercolour fits perfectly with drawing on location and what it means to me. I love watercolour’s wild nature. Its ability to lose control fits the spontaneous nature of sketching. I have also learned to love the fact that it is impossible to undo. Every mark is visible, leaving a trace of everything that you have done which will always be there.




As for people - for me sketching people is not just a way to add scale to a sketch or to make it more “lively.” Usually my story starts from the people and the surroundings support the story, just as in music chords support the melody. 



In the first session, we will do a series of short exercises. To warm-up we will start with sketching duels and drawing each other in different ways. We will think about how we see reality, what is the essence of "likeness" in portraiture - how to get the real, profound likeness, and not only the external one. We will try to not just mechanically copy reality, but to observe the essentials from the artistic point of view, and to sacrifice the secondary aspects. We will work fast, forgetting the rules (which will work for us subconsciously), and base our sketches on live observation, getting in touch with our gut feelings with emphasis on the emotional side of sketching. After warming up, we will try to apply the same approaches on location.



We will address the basics of watercolour technique, but will use them in non-traditional ways, by getting our inspiration from non-realistic colour approaches, as expressionists who used colour to express their feelings about the subject rather than simply describing it in a naturalistic fashion.



In the second session we will apply what we learned in the first and make at least two well developed sketches - telling visual stories of the place by putting the focus on people.




We will discuss the subject of storytelling through portraits. The process of looking for a story, choosing it, and thinking about how to tell it. We will contemplate how the surroundings can help us to express ourselves, seeing inspiration in the works of the Fauvists, who valued intense color for its emotional impact more than for its ability to render form, and used colors at their highest pitch with a simplified drawing technique to express their feelings about their subjects.

At the end of the session participants will present their visual stories and share their experiences in creating them.

Learning goals

  • Pushing participants out of their comfort zone, at their own level. From beginners starting to sketch to more confident participants, we aim to teach you something new and push you outside your boundaries, helping you experiment.
  • Observation and sorting out what we see - don’t draw or express everything - make choices. Observe well and paint quickly because we have understood the space before us.
  • Feel the space, decipher its parts (foreground/background…) and reveal them
  • Working with large shapes of value and confidence of your own marks; don’t be afraid of making a mistake.
  • Feeling the joy of watermarks in greyscale and colour.
  • Experiment with different water mark and drawing techniques and ways of approaching a live sketch situation, helping you find your own self expression.
  • Using and trying different watercolour approaches - experimenting with various water based media - watercolours, water soluble inks and gouache
  • In watercolour: painting with watercolours and line drawing with brushes, additional marks with watercolour pencils, using textures, light and shade, understanding colour.
  • Using more colour and texture and making you think about how do you represent what you see and to develop your own way of representing what you see in colour with confidence
  • Improving brushstrokes and brushmark making abilities
  • Sketching the city, its buildings, the people and their stories.

Workshop Schedule

The course runs from Wednesday 10 July evening to the Saturday 13 July. On Sunday 14 July we organise a sketching meet with local sketchers for anyone to join us.

Wed 10 July 2019

Welcome at the Marwood cafe, in the evening at 5pm.

Thu 11 July

9 to 9:30 am Meet at the Marwood Cafe

9:30 am - 12:30pm Marina, Maru and Isa morning workshops

12:30pm - 2:30pm Lunch

2:30- 5:30pm Marina, Maru and Isa afternoon workshop

6pm -7pm Evening all groups meet up

Fri 12 July

9 to 9:30 am Meet at the Marwood Cafe

9:30 am - 12:30pm Marina, Maru and Isa morning workshops

12:30pm - 2:30pm Lunch

2:30- 5:30pm Marina, Maru and Isa afternoon workshop

6pm -7pm Evening all groups meet up

Sat 13 July

9 to 9:30 am Meet at the Marwood Cafe

9:30 am - 12:30pm Marina, Maru and Isa morning workshops

12:30pm - 2:30pm Lunch

2:30- 5:30pm Marina, Maru and Isa afternoon workshop

6pm -7pm Evening all groups meet up

Sun 14 July

10 am Sketchbook sharing at Marwood coffee house and looking at workshop exhibition

11 am Open Sketch Meet with local sketchers (Brighton/London)- route to be confirmed.

Participants

30 attendees maximum, 18 attendees minimum, any level of experience is welcome

Supply list - what to bring?
A supply list will be provided to all participants prior to the workshop

Travel and accomodation

You will need to arrange your own accommodation and travel. To help you decide the area see the map of the workshop below. Suggested sites to look for a good range of accommodation: booking.com or airbandb.com

Travel:
The best London airport for Brighton is London Gatwick (30 min by train to Brighton Station). There are frequent trains from Londn Victoria and London Bridge to Brighton Station.

Registration fee

£265 (£215 concessions - students or unwaged (with proof of concession status)) - fees are in GBP

To book: e-mail Isabel - isabel@pushingyoursketchingboundaries.com for a registration form. If you are claiming the concession rate send me the proof of status with your booking form request. (Payment can be via internet bank transfer or paypal - links here).

Cancellation policy: All fees are refundable if cancelled more than 6 weeks prior to commencement of course (up to 29 May 2019). Bank charges will be deducted for the refund in the case of an attendee cancellation. If cancelled after the 29 May up to to one week before the start of the course, a cancellation fee of £50 (60 Euros) will be retained. No refund will be possible one week before the course.In the event of too few registrants, all monies will be refunded.

Workshop map

You can find the workshop map here

About the instructors

This workshop combines the abilities of:






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