Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik

"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully

"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Workshop rewind: Sketching in northwest river town of Bothell

A weekend-long sketching class in a walkable urban setting with an interesting mix of architecture, history and nature. That’s the basic idea behind the workshop I have started teaching in Bothell, Washington, a charming little river town 15 miles north of Seattle.

It is hosted by Cloud 9, an all-ages art school run by super-organized and talented local artist Charlene Freeman. The school sits in the heart of Bothell’s downtown, within walking distance to great sketching spots along Main Street, and city landmarks such as the historic Anderson School building and Bothell Landing Park on the banks of the Sammamish River.

Here’s a map that I prepared to get participants oriented:

The first edition of the workshop, which took place March 22 to 25, kicked off Friday evening with a brief introduction about urban sketching and a presentation about the town’s history by members of the Bothell Historical Society. We learned about the centenarian tree on Main Street that has survived several fires and is decorated with Christmas lights every year, and about the bridge where the mayor was caught driving faster than the 10 mile-per-hour speed limit he had set himself back in the early 1900s. Dinner at a restaurant on Main Street followed for those participants interested, and by the time Friday was over, everyone seemed excited for our weekend of sketching and exploration around town. I know I was!

Over Saturday and Sunday, through indoor and outdoor demonstrations and exercises, I covered three key aspects to make successful sketches from observation: composition, tone and color.

The segment about composition started with a demo on sight measuring, an often-forgotten skill that is essential to create accurate drawings. Sight measuring is a step you may later skip in favor of simple eyeballing or more creative approaches to composition, but it is important to learn it!

Proper sight measuring ensures that the desired scene will fit on the page. Another helpful step to compose a drawing is creating thumbnail sketches beforehand (on the margins of your page or on a separate notebook). Here are some examples from my demo in front of the Anderson School, which is now a McMenamins hotel.

Once you get the grasp of measuring distances and transferring angles from the scene to the page, you are equipped to fit any kind of scene, not matter how big, into any size of canvas. Below is an example I demonstrated on my pocket Stillman and Birn sketchbook. It shows a wide angle of Main Street and the historic tree that has stood in this intersection for more than one hundred years!

While I drew the sketch, I gave participants some tips to draw standing up such as holding your sketchbook as upright as possible; locking your feet on your ground in a comfortable position; and keeping your head still while your eyes scan the scene. I love sketching standing up because it forces me to draw faster.

Following the workshop segment about composition, we moved on to make value sketches. My demonstration helped participants identify light, dark and every shade of gray in between when examining a scene.

The sun came out just at the right moment to provide good source of lighting as we practiced the useful “artist squint.” Bothell’s first schoolhouse building, which dates from 1885, and a log cabin from early European settlers, both located at Bothell Landing Park, served as the subject for this exercise.

I began the watercolor part of the workshop with an indoor demo inside Cloud 9. A lot can be gained by practicing watercolor technique indoors before using it out and about. I showed how to mix water and pigment to create light, medium and dark values. I also demonstrated wet-on-wet and wet-on-dry techniques, and how to use them to create sharp or soft edges. The sketch of a walkway with red railing you see in the photo to the right below is one of several originals I brought to the class as examples.

I also brought some sheets with “failed line sketches” (the pig and the Greyhound building below) that I have accumulated over the years. They became handy to demonstrate different types of washes.

For all my outdoor demos, I used a large drawing board and 18” x 24” sheets so everyone could see my process.

Here’s the result of the outdoors watercolor demo. The annotations point to things I discussed as I was working on the sketch.

Because urban sketching implies the intent of learning more about the towns where we live and the world at large, I wanted to make sure participants would get to learn about Bothell and its history. That brick building on my watercolor sketch is the old Mercantile building dating from the early 1900s. It was recently gutted by a fire but its walls are being preserved and incorporated into a six-story multi family development currently under construction.

And we didn’t just learn about the city’s past, we also stepped right into it! Local author and historian Margaret Turcott, a board member of the Bothell Historical Society, treated us to a private tour of the William Hannan house, a 1893 Victorian residence that is home to the society’s museum. Every room has been restored and furnished with turn-of-the century items that we delighted in sketching during our visit. Here are some photos:

We capped the weekend with a sketchwalk open to local sketchers at Bothell Country Village, a charming outdoor mall fashioned in the style of an old western town. Here’s the final group photo and some snapshots of sketches participants made throughout the weekend.

Big thanks to everyone who made this workshop possible, especially Cloud 9 owner Charlene Freeman, Bothell Historical Society volunteers Margaret Turcott and Pat Pierce, and Michael Kalman, of Stillman & Birn, who provided two complimentary sketchbooks to each participant.

A percentage of this workshop’s revenue is donated to the Urban Sketchers nonprofit to support its mission of raising the artistic, educational and storytelling value of on-location sketching.

I had a blast teaching this class and I’m looking forward to meeting everyone who has already signed up for the summer edition June 22-24. To learn about my upcoming workshops at Cloud 9 and elsewhere, make sure you have signed up to my mailing list and follow me on Facebook and Instagram.




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