Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik


"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully



"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".
Blog
Flickr

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Book review: Mike Daikubara’s Sketch Now, Think Later

[By Tina Koyama in Seattle] Urban Sketchers correspondent and symposium instructor Mike Daikubara has done it again – published another fantastic book. Self-published, his other books are collections of his work by topic or travel location, such as the one I reviewed a few years ago about his journey along Boston’s Freedom Trail. This time, his book has been commercially published by Quarry in the same format as the popular Urban Sketching Handbook series. (In that series, I’ve reviewed Architecture & Cityscapes and People & Motion by Gabi Campanario, and Understanding Perspective by Stephanie Bower.)

Sketch NOW Think Later is Mike’s first instruction book. Subtitled Jumping Right into Sketching with Limited Time, Tools, and Techniques, the book is based on principles of urban sketching that he introduced to his workshop participants at the Manchester USk symposium last year. I got a brief sneak peek at that workshop, which I covered as one of my duties as a symposium correspondent, but I wished I could have stayed for the whole thing to learn more. His new book is a much-expanded version of the pocket-sized booklet he gave out to his workshop participants (I was lucky enough to snag one).

It’s no wonder I’m a huge fan of his new book: Mike’s approach toward sketching on location aligns exactly with mine. A travel lover like I am, he would sketch all the time if he could, but he’s realistic enough to know that the weather, the needs of travel companions, or other constraints can keep him from taking as much time as he’d like on a sketch. Mike believes firmly that a sketch can be done – no matter how little time you have – as long as you keep your tools and methods simple and adjust your expectations to the conditions.


To help explain his principles, he has developed a unique quadrant graph to help sketchers evaluate their own energy level (and therefore ability to concentrate) balanced with how much time is available. Ideally, we’d all like to have plenty of time and energy to make all of our sketches, but if either is short, a good sketch can still be made – if you follow Mike’s approach.

Sketch NOW Think Later begins with an overview of his compact, portable sketch materials, tools and bag that all help him work as quickly and simply as possible. Unique to the book is his emphasis on his favorite fountain pen, a Sailor with a fude nib. One reason he favors the Sailor fude is that its ability to impart a wide range of line widths enables him to carry only one pen instead of several (which keeps his kit slim).

Also like me, Mike prefers to stand while he sketches because it gives him greater flexibility in finding a good angle. And since standing is not as comfy as sitting, he’s more likely to sketch faster and get the sketch done – something that motivates me, too. He does, however, occasionally take a seat – on the world’s tiniest stool! In his Manchester workshop, he demo’d how the stool fits in his back pocket.


Other chapters focus on line, color, composition, and other sketching elements, all with an emphasis on working efficiently to capture the moment with spontaneity and energy. For example, if time is short, don’t color the entire drawing, Mike suggests. Instead, choose the parts that caught your attention first, and color what you want your viewer to focus on. Or a symmetrical subject, like a building or a car, could be colored only on one side, since the opposite side is the same. Mike’s step-by-step instructions are fully illustrated with his precise yet whimsical diagrams.


Throughout, the text is beautifully illustrated with many full-color examples from this prolific artist’s sketchbooks.



Targeted toward beginning and busy sketchers who want to learn how to make the best use of their limited time, Sketch NOW Think Later also has practical ideas for more experienced sketchers. We can all use tips on how to streamline our sketch kits and optimize time so we can do more of what we love most – sketch NOW!

Opinions expressed by our correspondents and guest contributors don't necessarily represent an official view of UrbanSketchers.org.

COMMENTS

BLOGGER: 1
Loading...

|Faculty$type=blogging$ct=0$m=0$show=http://www.urbansketchers.org/p/usk-symposium-faculty.html

$type=blogging$ct=0$au=0$m=0$show=http://www.urbansketchers.org/p/usk-symposium-travel.html

USk News$type=blogging$ct=0$au=0$m=0$show=http://www.urbansketchers.org/p/drawingattention.html

[Blog]$type=one$count=7$comments=0$author=hide$show=http://testuskblog.blogspot.com/p/usk-blog.html

[Workshops Blog]$type=two$c=12$ct=0$m=0$show=http://www.urbansketchers.org/p/usk-workshops.html

Instructors$type=carousel$cat=0$show=http://testuskblog.blogspot.com/p/usk-workshops.html