Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik


"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully



"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".
Blog
Flickr

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Puzzling Out The Picture - NYC


PUZZLING OUT THE PICTURE
New York City, May 5 - 7, 2017  SOLD OUT!
NEW DATES ADDED: SEPTEMBER 8 - 10, 2017
Veronica Lawlor, instructor

Many times, when a sketcher arrives at a busy urban location, there is a sense of being overwhelmed. So many people moving in so many different directions; so many buildings towering above; so many shops; so many cars; so many signs; so much of so many! This workshop will teach you how to puzzle it all out, bringing the pieces together in a wide picture full of dimension and graphic expression, which ultimately can tell the story of a place.


We’ll begin the first day by employing the thumbnail as a way to explore the environment around us, and the people, buildings, and objects within that space. We’ll discuss how to organize so much information into one picture, and how to explore the storytelling possibilities of those pictures, in a sense, as a filmmaker does with a storyboard to establish a point of view.

On the second day we'll learn how to create larger sketches that cover the situation, telling the “big picture” story of our urban setting, and using the idea of a focal point to draw attention to the people and stories that emerge within the space. We’ll also see how a combination of line, marks, and color can help create our focal point.

(This workshop originally offered at the Manchester Symposium, summer 2016.)


Learning goals (What are a few of the most important skills and concepts you'd like your participants to learn from their experience?)

·     How to embrace the “overwhelmingness” of an urban setting and find your focus in a picture.

·     How to use dimension, and work with entrances and exits in picture-making.

·     How to combine people, buildings, plant life, and objects in one picture, differentiating them with line, shape, and texture.

·     Capturing the overall story – roughly, describing the ‘vibe’ of the place and the people within.


Workshop Location:

We'll be meeting and working on location in New York City's famous Central Park and Times Square, as well as an evening at the Metropolitan Museum of Art.

Workshop Schedule:

September 8 – Evening – Meet up at the Metropolitan Museum of Art
5 pm - We will meet at the Metropolitan Museum of Art at 5 pm for an informal drink and draw on the rooftop garden (in case of rain, the Balcony Terrace, 4 per table.) 

September 9 - CENTRAL PARK BETHESDA TERRACE (Rain location: Winter Garden Atrium)
10 am – 10:30: gather, lecture and demonstration on site (with handouts)
10:30 -12:30 thumbnails
12:30 – 1:30 lunch break
1:30 – 4:15 pm expand on two or three thumbnails, follow through with ideas
4:15 pm critique and review work (until completed.)


September 10 - TIMES SQUARE PEDESTRIAN MALL (Rain location: Grand Central Station) 
10 am – 10:30: gather, lecture and demonstration on site
10:30 -12:30 thumbnails
12:30 – 1:30 lunch break
1:30 – 4:15 pm work on a panoramic drawing of the scene
4:15pm critique and review work (until completed.)


Workshop Registration and Cost:

Registration Fee: $275 USD*

Contact Veronica Lawlor at veronica@studio1482.com for registration information, space availability, and paypal link.

Maximum Number of Partipants 16 (minimum 8) All levels welcome

*Please note: cancellations up to July 1, 2017 will be refunded the full amount minus a cancellation fee of $35.00; 50% will be refunded if the cancellation occurs after July 1 to August 8, 2017; and no refunds will be granted after that date. Thank you for your understanding.

I look forward to working with you!


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