Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik

"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully

"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

A Short HongKong Getaway

[by Peggy Wong of Kuching, Borneo] I was between 2 jobs at the end of October this year and decided to go away for awhile before starting fresh at the new job.  Since Alvin of Urban Sketchers HongKong had always extended invitations to visit their chapter and sketch with them, I put myself on a flight and headed there.
On the day I arrived, Alvin, Rob and I sketched the towering skyline of HongKong island, after a stroll along the waterfront of Tsim Sha Tsui, together with Lapin & Lapinette, who was also in HongKong at the same time.  In the next few days, I also explored HK on my own, which included the HongKong History Museum, with all the elaborate displays, detailed information and scaled models, like this life-size boat dwellers' junk boat.
One of my favourite to-dos in HK was their old school 'cha-chaan-teng', literally translated as 'tea restaurant', which serves canto-western cuisine.  Speed sketching was a need here, as loitering at such a fast-paced high-turnover rate cafe was frown upon; you might even be repeatly questioned "When will be be done?!". Since I was at one during non-peak hours, I did a quick sketch but was quickly hastened when the lunch crowd started pouring in.
I had one of their typical meal sets which include macaroni & ham in soup, buttered toasts with sunny-side fried eggs and 'chai-fay' black coffee.  Other must-try includes egg tart and 'bo-lo-bau', although translated as 'pineapple bun', it is a bun with crusty sweet topping but no pineapple.
USk HK organised a sketch outing, hosted by BMW at their car showroom in Tseun Wan district.  They arranged for a classic Isetta to be on display for our sketching amongst other luxury cars.  Majority of sketchers were excited about the little yellow car, as they crowd around to sketch it; and I sketched them sketching it.
Vanessa invited me to sketch 'ta-siu-yan' literally translated as 'petty person beating', an intangible cultural heritage, under the Canal Street flyover, between Causeway Bay and Wan Chai districts, with Romy and Noble.  This popular Chinese folk sorcery involves hitting human-shaped paper effigies of the 'villain' with slipper.  Generally, it is to quell any curse put of their clients who came to seek help; some sort of exorcism. 
Alvin had his own villain-hitting chant for USk Manifesto 'violators'; "打佢個小人手, 打到佢有相唔識抄" which translates to "Beating your petty hands, beating till you won't be able to copy from a photo".  We had a good laugh about it.
(The Chinese text on the far right has nothing to do with villain-hitting.  I stamped it there because it looked interesting but found out later it is a quote "chaam-ji-tou-le" meaning "I know", with 'chaam' a first-person pronoun arrogated to Chinese emperors)

It was an awesome trip, with more encounters and sketches from the trip here.  But it was time to return to Kuching and begin a new chapter in my life.





USk News$type=blogging$ct=0$au=0$m=0$show=


[Workshops Blog]$type=two$c=12$ct=0$m=0$show=