Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik

"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully

"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Sketch in the City-Station Series, Melbourne Australia, April 2 and April 9

April 2 and April 9: Sketch in the City-Station Series, with Mike Kowalski in Melbourne Australia

Sketch in the City-Station Series: Two day class.   

April 2 and April 9, 2016

Workshop Description: Melbourne’s suburbs are rich with distinct personalities. Each class will focus on one station and it’s surrounds. As sketchers we will attempt to capture the unique character we come across. To be able to deftly capture an urban scene quickly, skills such as perspective drawing, capturing figures and learning the essence of watercolor technique will greatly increase our competency and enjoyment of the act of sketching.

Learning goals: On location students will be instructed on skills to increase their ability to confidently capture a perspective, figure drawing, composition and the importance of values will be touched on as well as basic pencil and watercolor technique.Each station and the surrounding area provides many wonderful sketching opportunities.

Workshop instructor: Mike Kowalski is an American artist and Illustrator living in Melbourne. Mike has been a freelance architectural illustrator for over 20 years and a practicing illustrator for over 30 years. Mike is also a watercolor painter who recently won the Silver Medal of Honor at the 2015 American Watercolor Society International Exhibition. Memberships include NWS signature, AWS, WSV, and Artists Who Teach and Urban Sketchers. ( fine art paintings / urban sketches / workshop info. ) ( architectural illustration )

Day 1: Glenferrie Station 10-2

The area of Glenferrie Station is lively urban enviornment. This is university country with a lot of odd shop fronts, cafes, and people watching. There are some wonderful architectural features in the area.

-Introduction to perspective drawing with examples of single and two point perspectives.
-Watercolor basics. Getting by with a limited palette.

10:45-12:30 Instruction and individual sketching

12:30-1:00 Lunch break/sketching

1:00-2:00 Group quick sketch.

Day 2: Canterbury Station 10-2
 In the more genteel suburb of Canterbury we have the lovely Maling Road historic district as well as shaded Canterbury Park to choose from for subject matter.

-Simplify architectural detail with gestural pencil technique. Drawing trees and foliage.
-Quick primer on composition and point of view.

10:45-12:30 Instruction and individual sketching

12:30-1:00 Lunch break / sketching

1:00-2:00 Group quick sketch and final review.

Cost: 2 day class 175.00 AUD
Maximum number of participants 15
Minimum number of participants 6

Cancellation policy:

In the event of class cancellation all fees will be refunded minus paypal fees if paying by paypal.

If you need to cancel prior to class the refund policy is as follows:

30 days before class full refund.
Two weeks before class 50% refund
Less than 2 weeks, 10% refund

Sketch in the City will challenge all levels of participants, however is geared toward beginner and intermediate sketchers.

Supply list: Instructor will supply a list of recommended materials.

Fees payable by check or cash to: Mike Kowalski Illustration.

Mail to Mike Kowalski
4 Bowley Avenue, Balwyn 3103    Vic

Contact Mike Kowalski at





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