Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik

"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully

"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Workshop 23: Soaring Spaces

Instructor: Stephanie Bower

Look up! So often the most amazing things to sketch are above your head! Towers, domes, and England’s famous vaulted ceilings all draw your eyes UP to their beautiful shapes and architectural detail. I love to sit inside an amazing church or in front of an inspiring building and capture a true sense of the vast space. But how do you capture something so tall and wide in a small sketchbook?

This workshop will take you to one of the UK’s most important buildings, located in the heart of the city -- Manchester’s glorious Town Hall. Gothic Revival in style, from its façade and clock tower on Albert Square to its soaring vaulted interior spaces like the Great Hall, you’ll learn how to look up and capture this amazing architecture in wide-angle, 3-pt perspective. It’s really not hard once you know what to look for!

Learning Goals:

  • Soaring Spaces encourages you to push your sketching boundaries and not fear perspective!
  • By the end of the workshop, participants will learn how to:
  • Capture vast spaces and effectively shrink them into a sketchbook using 3-point perspective in wide-angle formats, both vertical and horizontal.
  • Use quick thumbnails to study composition and perspective, and start sketches by blocking out the simple shapes.
  • Find the true eye level and vanishing points, and how to effectively use these when sketching any perspective on location.
  • Draw a true arch, as arches are not shaped like horseshoes!  And once you understand how arches work, you can sketch arcades, vaulted ceilings and even domes. 

Workshop Schedule:
First Hour:  Understanding 3-point Perspective
After brief introductions, we’ll look at examples of tall/ wide sketches and how 3-pt perspective is used to capture the sense of vast space. A handout will provide information on how to draw the foundational lines of a 3-pt perspective looking up, and I’ll share lots of tips throughout the workshop to demystify the use of perspective when sketching on-site.

We’ll quickly sketch the façade/tower from below, a great way to understand this type of perspective, then move inside to see how these concepts also apply to soaring interior spaces.

Second Hour:  Understanding Arches in Perspective 
Surrounded by elegant arches inside the building, we’ll decipher the anatomy of a true arch—the architectural basis for arcades, vaulted ceilings, and domes—and how the vanishing points, spring line, and ellipses are all used to easily draw arches in perspective.

Third Hour:  Putting Concepts Together to Draw Soaring Spaces
We’ll combine what we learned about 3-point perspective and arches to capture Soaring Spaces!  I’ll do a quick demo to show how I simplify the view and transfer it to my sketchbook to create the accurate foundational lines, adding a bit of tone with watercolor.

The group will then make a quick thumbnail sketch to figure out the composition and perspective, and in the final 45-60 minutes, create a sketch that expresses the amazing architecture both in front of you and above your head. Your sketches will soar, fearlessly!

In the final 15 minutes of the workshop, we’ll review everyone’s sketches and take a group photo.

Supply List

  • wide/tall format sketchbook or paper (like a Moleskine or Pentalic, etc.)
  • pencil (I use .5 mechanical pencils with B or 2B lead)
  • kneaded eraser
  • 6”- 8” straight edge or architect’s triangle
  • folding stool
  • And your favorite sketching tools -- pen, pencil, charcoal, watercolor




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