Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik

"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully

"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Workshop 22: Bare Bones: Exploring Limited Palettes in Watercolour

Instructor: Shari Blaukopf

Workshop Description
You never know where accidents will take you. Recently some Cobalt Teal pigment leaked all over my palette, and the next time I went out to sketch I was determined to use it up. It made its way into all my sketches for quite a long time, and in the process it led me down a new path with colour. Most of us tend to always dip into the same wells: green for trees, blues for sky. But what if the sky is yellow? Or the trees purple? The idea for this workshop is to open participants’ minds: to give them fresh ideas and options for using vibrant and luminous combinations of colours, as we explore two and three-colour combinations of pigments.


Learning Goals
In this workshop participants will explore new ways of working with colour through limited palettes: brights, neutrals and opaques. We’ll see how painting the same scene in different ways changes our perception of the place. Students will be encouraged to move out of their comfort zones and explore new colour combinations.

In this workshop we’ll look at:
  • Exploring new triads of colour, both bright and muted
  • Creating a centre of interest through use of pure colour
  • Creating unity in our sketches by limiting our colours
  • Retaining luminosity and keeping colours fresh
  • Defining value relationships and creating lively darks through a wet-in-wet approach and modifying viscosity of paint

          Workshop Schedule

          We will start by looking at sample sketches and discuss different combinations of triads for creating limited palettes. I will introduce three or four combinations of colours, and then demonstrate the possibilities that can be created with each of them. We will look at creating vibrant neutral colours from our primary colours. As well, each of these triads will include one dark pigment, and I will show how to create lively darks by introducing pigment into wet washes.

          Exercise 1
          In the first exercise, participants will create a small sketch using a triad of muted colours. Emphasis will be placed on finding a focus in the sketch by using the purest, most vibrant colour in one area.

          Exercise 2
          Next we will create a small sketch using a triad of bright colours. This time the emphasis will be on retaining white or light areas in the sketch.

          Group will gather to evaluate and compare the two sketches.

          Exercise 3
          Moving out of your comfort zone. Students will be encouraged to experiment with a triad of colours that is different, unusual, unlikely or seemingly inappropriate? In this final sketch, we’ll look at how value relationships take precedence over realistic colour.

          Final Discussion
          The group will gather again to discuss and evaluate the final sketches.

          Supply List
          • A selection of tube watercolours. I will be using several triad combinations (but feel free to try other combinations if you have similar hues) Brights (Hansa Yellow Medium, Quinacridone Red and Ultramarine Blue); Muted (Cerulean Blue, Yellow Ochre, Organic Vermilion); and Unexpected (Cobalt Teal, Quinacridone Gold and Permanent Alizarin Crimson)
          • Portable watercolour palette
          • Watercolour sketchbook (Moleskine or other) or small watercolour blocks
          • Small plastic water bottle
          • Brushes: medium size round (size 8-10), small round for details (size 3)
          • Pencil, pen for drawing
          • Bulldog clips, kneaded rubber eraser, paper towels
          • Small folding stool




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