Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik

"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully

"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Painting in Ischia Island, around Aragonese Castle.

IV° Naples Urban Sketching Workshop: Thursday 8 - Sunday 11, October 2015*
with Simo Capecchi, Caroline Peyron and Kelly Medford

guest artist: Gérard Michel and Franco Lancio

*this workshop is sold out!!

in partnership with Associazione Amici di Gabriele Mattera

Painting in Ischia Island, around Aragonese Castle. In the footsteps of past and contemporary masters. In the fourth edition of our neapolitan workshop we move into the Gulf of Naples to reach Ischia island and one of its most fascinating places, the Aragonese Castle, a real retreat for painters that want to be inspired to observe and to create. This ancient fortress is located on a rocky little island, connected to the main island of Ischia through a bridge built in the fifteenth century. The fortified citadel was made as a defense against pirates and it was the main settlement of Ischia, hosting more than one thousand families, a dozen churches, a convent plus the fortress. Bombed several times, then abandoned and later used as a prison until 1860, the island with its buildings largely reduced in ruins was auctioned and bought by a private in 1912. 
Currently, the fortress itself is inaccessible but most of the other buildings, four churches and the convent has been restored and are used as a venue for exhibitions and hospitality, there is a restaurant, a café, vineyards, olive groves, cultivated fields, in addition to the headquarters of the European Institute of Restoration. The island is open to visitors all year round. From the top you can enjoy a 360 ° view on Ischia and over the Gulf of Naples.

Il programma in Italiano qui.

This workshop offers the experience of living three days in a unique environment, to reach a state of flow and concentrate on drawing and painting, in contact with nature, surrounded by the sea and by the vestiges from the island history. Lodging in the old castle monastery, such a quiet environment where time passes slowly, will add a special charm to this experience. 
Apply before May 31 to get a special discount on Il Monastero hotel rates! 
UPDATE: Monastero rooms are sold out. 

In past centuries the Aragonese castle has been a favorite subject for countless artists traveling in Italy for their Grand Tour and landed in Ischia. Can we give new life to one of the most exploited views of the island? This will be the task dealt with Simo Capecchi, rediscovering and reinterpreting those classic views of the Aragonese Castle and searching for new compositions. 

Inside the Castle was born and lived Gabriele Mattera (1929-2005), established italian artist and son of the castle owner. We'll be introduced to his opera by his son Nicola, and we'll visit his studio inside the convent, where hundreds of his large oil paintings are preserved. Although he never represented  the castle or his panoramas while he gradually moved away from realism, his works do have a deep connection with the environment where they were made. With Caroline Peyron we will go on his footsteps and will paint plein air in the Castle gardens, observing nature details and fragments of architecture.

Participants will be guided by different approaches to location painting. Field sessions will be lead in turn by Simo Capecchi, an architect that likes to paint; Caroline Peyron, a French art teacher and artist based in Naples. Kelly Medford, an American plein air oil painter that lives in Rome, will demonstrates oil paintings technique.

Thanks to Franco Lancio for the workshop location idea, for his collaboration and for the graphics!

Mattera's studio today
LODGING: The Albergo il Monastero, located inside the Castello Aragonese of Ischia, will offer workshop participants a special - 20% discount on their low season rates only for a double rooms option (we may help you to find a sketcher to share the room with) but, to get this offer you have to book the room before May 31. Email the hotel for more details: ilmonastero(at) 

Gabriele Mattera painting in his studio, 1985.

Wednesday, October 7
     5 pm - early check-in and welcome in Aragonese Castle

Thursday, October 8 
     9.30 am to 1 pm  (divided in three groups)
Caroline Peyron, On Gabriele Mattera footsteps, in the castle gardens
Simo Capecchi, Picturesque deconstructed. The Castle from Cartaromana beach
Kelly Medford, Introduction to sketching in oils, in the castle gardens and courtyards
    2.30 to 5.30 pm  (all together)
Naturalistic itinerary inside the Castle - sketching and painting in different spots with all instructors

Friday, October 9
    9.30 am to 1 pm  (divided in three groups)
Caroline Peyron, On Gabriele Mattera footsteps, in the castle gardens
Simo Capecchi, Picturesque deconstructed. The Castle from Cartaromana beach
Kelly Medford, Introduction to sketching in oils, in the castle gardens and courtyards
   2.30 to 5.30 pm  (all together)
The Castello Aragonese from Pescatori beach, Sketching and painting with all instructors

Saturday, October 10 
   9.30 am to 1 pm  (divided in three groups)
Caroline Peyron, On Gabriele Mattera footsteps, in the castle gardens
Simo Capecchi, Picturesque deconstructed. The Castle from Cartaromana beach
Kelly Medford, Introduction to sketching in oils, in the castle gardens and courtyards
   2.30 to 5.30 pm  (all together)
Architecture itinerary inside the Castle - sketching and painting in different spots with all instructors
6.30 pm: final exhibit in Aragonese Castle, open to the public

Sunday, October 11 
   10.00 am to noon  
Open Sketchcrawl and Botanical sketching tour in Negombo garden* 
open to the public, guest sketchers are welcome! 
Please email to marco(at) to get the entrance pass.

*Negombo, is a botanical garden and thermal bath designed by Ermanno Casasco, famous landscape designer. Thanks to Marco Castagna and the Negombo Thermal Bath for their collaboration and hospitality.

Oswal Achenbach, Ischia and its Castle, 1870. Haseltine William Stanley, Coastal Cliffs in Ischia, 1880.
Picturesque deconstructed with Simo Capecchi
The Aragonese castle has been a perfect subject for painters in the late eighteenth century and throughout the nineteenth century. It well corresponds to the aesthetic ideal of "picturesque" adopted at that time, when artists disregarded symmetry and perfect proportions, while focusing more on "accidental irregularity," and start traveling in search of ruins and savage landscapes. The contrast between the dramatic profile of the Aragonese Castle's cliff with its ancient churches and architectural ruins and the quiet atmosphere of the beach below, with swimmers and fishermen at work produced the desired “roughness and sudden variations, joined to irregularity of forms, colors, and lighting”.

In past images (etchings, watercolors and oils), the castle is represented mainly from a distance, as a background of the Pescatori's Beach or framed by Sant'Anna's rocks with the foreground filled with groups of fisherman and barefoot kids. Is it possible to deal with such a "picturesque" scenery in a contemporary manner? We will paint it from the same points of view, trying a deconstruction of a typical picturesque composition, each of us with our own sensitivity.
The Castle's island and its interiors on the contrary have almost never been represented: bombed by the British in the early nineteenth century and became a prison for most of the century, was inaccessible at the time of the Grand Tour. We will be the first to depict this varied microcosm, creating a sequence of drawings for a possible sketched guide/itinerary to the Castle, from the entrance by the sea level, to its highest point overlooking Naples Gulf, with its olive trees, vineyards, panoramas and ancient architectures.

Simonetta Capecchi completed her PhD degree at the University of Naples (Italy) in Architectural Drawing. She currently works as an illustrator. Since 2006, she has curated four editions of "In viaggio col taccuino", an exhibition on travel sketchbooks with conferences and workshops. A selection from this exhibition has been published in book form (Sguardi su Napoli, 2009). Simonetta's sketchbooks have been included in many international exhibitions and featured in edited collections such as Danny Gregory’s An illustrated life (2008). She contributes to Urban Sketchers from Naples, where she lives.  

Gabriele Mattera, Tende, 1985-1990

On Gabriele Mattera footsteps  with Caroline Peyron
We will work inspired by a cycle of paintings by Mattera from late '80, originated by the observation of light colored reflections and the changing forms taken by the curtains in his studio at the Aragonese castle. Deployed as large sails in the sun, or rewound through a system of cables, those tents still protect the studio from direct light. His son Nicola remembers when, as a child, helped the artist to shoot photos of sheets hung out to dry at different times of the day and night, studies that long after generated this series of paintings. In this operas there is a progressive abstraction, both in forms than in the use of the color itself, when the white of the tent breaks down into pure colors. An extreme synthesis that comes from a deep and "silent" observation of reality and well transmits the sense of suspended time that we perceive inside the castle. 
We'll dispose some sheets in various places of the castle garden, fixed on bamboo poles that grows on the spot, to work on the colorful vibrations that are created between the white tent and surrounding colors, using ink and oil pastels or collage. Another source of inspiration will be the rocks and marine vegetation as seen watching the sea from the top of the Castle terraces, which create interesting shapes, transparencies and color variations.


Caroline Peyron is a french artist living in Naples. Personal exhibitions of her works has been held in Naples at the Grenoble Institut Français, Biblioteca Nazionale, Castelnuovo and Museo Archeologico Nazionale; in Rome, at Istituto Nazionale per la Grafica and in Paris. She has been an art teacher and has held workshops for private schools and public institutions for over twenty years now. She has art classes with children, adolescents and adults both in private schools and in cultural institutions like Museo di Capodimonte and Museo Archeologico Nazionale of Naples. She is currently publishing her works with "Il filo di Partenope" art editions.

Introduction to sketching in oils with Kelly Medford 
Though there are many aspects to putting together an oil painting, we will focus on values and color.
After lightly sketching out the main shapes with a neutral mixture, we will work with big shapes, massing in our darks, lights and middle tones and adjusting from there.
Values mean the steps from light to dark on the gray scale. This is the first thing to think about in a painting before color - how light or dark is something in relation to the overall scene.
Most paintings, even the most masterful, incorporate approximately five values, seven at most. Even though variation is included in each of these values, unity must be maintained in order for the tone to stay firmly in its place on the grey scale and relate to its surroundings. This exercise also has an added benefit: it helps us to start thinking in blocks of value shapes rather than lines.
The main thing that we will be focusing on with color is how to make your mixtures lighter or darker and warmer or cooler. Using only primary colors will help immensely in your color experiment and exercises, harmonising and unifying them more readily, making the mixtures related and tie together.
We will practice how to make our color mixtures be in sunlight versus shadow - sunlight is warm and shadows are generally cool - and to create distance going away from us in space.

Kelly Medford is an American working as a plein air painter and living in Rome since 2005. She has been painting and sketching out on the streets of Italy daily, as a way of getting to know the country, its people, history, culture and sights. In 2012 she started Sketching Rome Tours as a way to offer this experience to everyone. Web site:

Registration fee 
€ 240. To apply, email to: simo.capecchi(at)
Participants: max 30, min 12. Any level is welcome! This workshop is about sharing and getting a stronger motivation to paint and draw.

Supply list 
Any supplies participants normally use are fine. We'll use pen, ink, colored pencils, pastels, brush pens and watercolors. Ink, ink pens, colored pencils, glue, cutter for Caroline's workshop. A painting oil kit will be suggested later on by Kelly Medford.

SPONSOR: thanks to Moleskine for the sketchbooks donation!!

See Naples Workshop past editions photos: 





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