Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik

"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully

"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Urban Sketchers Never Stop (Even When They Ought)

by Róisín Curé in Dublin

I travelled from my home in Galway to Dublin last week for a 30-year school reunion. A lot of organisation went into getting 40 women together for dinner in Dublin on 14th May. Women flew in from Vienna, London, Scotland, France and I don't know where else, to be there. I took a Citylink bus from Galway which is somewhat less glamorous but no less comfortable than any of the airplanes or motor cars that carried my erstwhile classmates to Dublin.

I was parched when I got on the bus. In the past, complimentary bottles of water have been handed out as you board the bus, so when I saw the driver carrying two bottles I asked him if there were any going around. "Not on this service," he said, then gave me one of his anyway.

This is what it looked like:

I love Payne's Grey and I love Indigo in my tiny watercolour paintbox and I can't remember which I used, but I was happy as a sandboy - messing about with a sketch is my kind of bus journey.

I hadn't seen any of the girls I'd spent five formative years with since 1985, when everywhere you looked were bad perms, legwarmers and blue mascara - and that was just the boys' schools. Only joking, but I'm not exaggerating when I say the passage of time has only improved the girls I went to school with. I walked into the Cliff Townhouse on St. Stephen's Green (that's the posh end of Grafton St., which is the poshest street in Dublin) in my new dress, feeling far less nervous than I might have, which is a good sign, I think. I was determined to make a sketch while I was there, and I did manage a very quick one -

I had only had one small glass of wine by then, or maybe two, but the act of sketching banished cobwebs and I was suddenly stone-cold sober, which may not have been appropriate for a party which was getting decidedly animated but was okay because I had a very early start in the morning. The decibels and the pitch rose as the levels of wine went down and lots of group photos were taken. I'm not sure if a homemade sketch bag, a pair of jeans in a previous life, was quite the accessory for a sparkly red dress but getting my priorities right has never come naturally to me.

There were two more tables to the left behind a wall. The photos of the evening are doing the rounds now but I think a sketch adds considerably to the general feeling...I mean to add a bit of colour to the ladies' skin tones, and a touch of ruby for the wine, and then I'll pass it around to the ladies too.

The 8.45am Citylink back to Galway the following morning was every bit as comfortable as the way over. The lady in the seat next to me evidently felt the same as she had a nice snooze, and kept very still. I'm far too chicken to look at an awake person and draw them (unless they are distracted in some way), but full of courage when a person is out for the count.

Me and the ladies have planned to meet up again in five years' time. Perhaps I'll leave my sketching stuff at home next time...or make a nice gold-sequined sketch bag.





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