Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik

"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully

"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

The Orlando Ballet presents Copelia at the new Dr. Phillips Center for the Performing Arts.

By Thor, Orlando Florida

On April 30th I went to the Dr. Philips Center for the Performing Arts to sketch a dress rehearsal of Coppélia. In Greek Coppélia means "young lady" and this comic ballet premiered in 1870. The performance was set to he music of Léo Delibes. Terry decided that she wanted to see this rehearsal, so she met me in front of the Center. When I opened the stage door, I was surprised to see a crowd of journalists. At Earth Day, I bumped into Jim Cundiff, the Interim Executive Director at the Orlando Ballet. He told me about an exciting collaboration between the Ballet, Orlando Philharmonic, and Central Florida Community Arts. It turned out that this rehearsal was the platform to officially announce this collaboration.

Robert Hill, the Ballet's Artistic Director, David Shilhammer, the Executive Director of the Orlando Philharmonic and Joshua Vickery the founder and Executive Director of Central Florida Community Arts stood on stage before the rehearsal.  Since it's inception in 1974, the Orlando Ballet has relied on recorded music for it's performances. Starting in October of 2015, the Philharmonic Orchestra will perform in the pit to bring all future ballet performances to life. David Shilhammer explained that recorded music limits the performers from taking chances and varying their rhythm and timing, The orchestra can adapt to each performance allowing for greater flexibility. In April of 2016 the Ballet will collaborate with Central Florida Community Arts which has 800 singers in multiple choirs. This is a win win for all the organizations and audiences. As the Dr. Phillips Center was being constructed, critics assumed that local arts groups would never stand to benefit. This incredible collaboration proves that they can and will endure.

Coppélia concerns an inventor, Dr Coppelius, who has made a life-size dancing doll. It is so lifelike that Franz, a village youth, becomes infatuated with it and sets aside his true heart's desire, Swanhilde. She shows him his folly by dressing as the doll, pretending to make it come to life and ultimately saving him. The rehearsal was playful and magical. The mechanical dance choreography was delightful. I had never seen this ballet and I am glad I finally did. I also admired the gorgeous painted backdrops which had a rich deep impressionistic use of color. I would think that the dancers might hold back a bit in a rehearsal, but everyone danced full out. Many of their athletic moves defied gravity.

Mark Your Calendars! The remaining performances of  Coppélia are today May 2nd at 11am and 8pm and May 3rd at 2pm at the Dr. Phillips Center for the Performing Arts 445 South Magnolia Avenue
Orlando, FL. Tickets  starting at $38.75 are available online or at the box office. This really is an amazing production, and bring your kids, they will love it too.

Looking ahead...
October 30- November 1, 2015 Gisselle with music by the Orlando Philharmonic.
December 17 - 20, 2015 Nutrcacker with music by the Orlando Philharmonic.
February 5-7, 2016 the world premiere of The Firebird with music by the Orlando Philharmonic.
March 18-20, 2016 Don Quixote with music by the Orlando Philharmonic.
April 29-May 1, 2016 the world premiere of Beauty and the Beast with Central Florida Community Arts.

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