Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik

"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully

"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Discovering the Architectural Delights of Doncaster

by Lynne Chapman, from Sheffield, England

I can't believe that I have lived in Sheffield for so many years and yet never before visited Doncaster, which is just half an hour away on the train. I discovered by chance that there was a lovely Minster there, so did a quick search to see what else there was to draw. That's how I found out about the gorgeous Corn Exchange, which made my mind up to go there, for the next meeting of Urban Sketchers Yorkshire.

That was last Saturday and, at last, we had a lovely day with NO RAIN - hurrah! It was so relaxing, sitting on the grass, peacefully drawing the Minster in the sunshine. It was very gnarly, with loads of gargoyles and a fabulous rose window. I intended to do various sketches, inside and out, but got very into one complex drawing, so ended up spending the entire morning on just that. I used my Koh-i-Noor 'Magic' pencil to get the multi-coloured line, which gives a softer finish than black and doesn't overpower the subtlety of watercolour:

I'd made yet another concertina book before the visit (I can't use the 35 I made recently, as they are to be saved for my residency). The concertina format was perfect, because it could expand with me as I worked my way up the building. I like to draw big enough to explore the nooks and crannies, so would never have been able to fit it in otherwise.

We had lunch at The Red Lion, which looked from the outside like a little, traditional pub, but unfolded like a tardis once you got inside. Wetherspoons had recently spent millions on it. The indoor restaurant was a bit busy, but there was a lovely courtyard garden: a real suntrap. We pulled 4 tables together and spent a very enjoyable hour chatting, eating and, of course, doing quick sketches of one another. This is me, between two newbies sketchcrawlers, Richard and Alec, sketched by another first-timer with Usk Yorkshire, Steve Beadle:

We had about 6 new members this time, so there was loads to talk about. As we were leaving, one of our first-timers, from Doncaster, pointed out two enormous paintings on the wall of the restaurant, one of Doncaster Market and another of the race course. He had been commissioned to do them by Wetherspoons. We were all suitably impressed!

The Corn Exchange had the sun behind it. I could tell that squinting at it all afternoon would give me a headache, so I wandered around the adjacent market for a while, trying to decide on other things to sketch. It was no good though - the grandiose building pulled me back. 

As with the morning, I spent all my time on the one drawing and never even got to see the inside. The concertina book did its work again: this time expanding sideways. The building was huge (I had to work really hard to make myself fit it into the height of the book). 

We went back to The Red Lion for the sharing. There was some amazing work done - really inspiring stuff. I always enjoy nosying through people's sketchbooks. Having so many new members gave me plenty to look at and there was a good deal of 'wow'ing.

It was quite late by the time we started for home. I ended up on the train by myself, and was lucky enough to have a 'snoozer' opposite, so got out my rainbow pencil again. I showed it to him as I got off.

I had a really smashing day and I met some lovely people. I've got to go back some time though, to draw the inside of the Corn Exchange and have another go at some of the other views of that Minster.





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