Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik

"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully

"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Painting "The Shire": Killeenaran Quay, Co. Galway

After watching The Lord Of The Rings a few years ago, I was struck by the similarity between The Shire and Killeenaran, in South Galway. The rolling fields, the bucolic landscape, and even the people, all resemble that idyllic, imaginary land. The landscape here is similar to (if a little softer than) the Burren, which JRR Tolkien visited and where he stayed many times around the time he wrote The Lord Of The Rings.

For the last two days I've been painting a house across the water from the quay at Killeenaran. It was sunny but cold and fresh, and yesterday was pretty windy too. I chatted with the people who live in the area as they arrived, out on a walk, or going for a swim. Two ladies arrived in their swimsuits, one on a bike and one in her car, a few minutes between each. There was much shrieking and exclaiming as they hit the water but they both said, as they always do, that the water was marvellous. The second lady told me that once, just once, she chickened out, on holiday in Iceland. At the quay yesterday, we couldn't have been more differently dressed: I had three hats on (baseball cap for the sun, warm hat for the cold and a hoodie for the wind) and as many layers as I figured I could wear while still moving my arms.

I was supposed to paint the house at high tide, which is gone in the blink of an eye: I took my eye off the boat I'd been drawing and when I looked back it had dropped beneath the line of the quay. That's why I had to split it over two days.

A couple of friends came down and we stood at the edge of the quay, peering into the clear green water. Thousands upon thousands of sprats swam in formation, dividing into smaller groups, never quite sure which way was best. We didn't see any bigger fish but there in the bay was a seal with his smooth black head peeking up above the water, and seagulls swirled and called overhead.
"One way or another, it isn't going to end well for the sprats," said one of my friends.

A man who races greyhounds came down with one of his dogs, a sleek, thin creature, who may have wished he had a bit more padding, given what he was about to endure. The man tied a rope to the dog's collar, picked him up and dropped him into the sea, and had him swim up and down parallel to the wall of the quay for a few minutes. When he took the dog out, he rubbed him with a towel and spoke to him lovingly.
"Didn't I tell you you wouldn't get cold," was all I heard.

After a couple of hours at the quay, I was so cold, I could feel my organs shivering - I don't know, my heart, or whatever else is in there. The hands had long since gone numb so I did that American Air Force trick I read once (on their website) where you windmill your arms until the blood goes back into your fingers. It works but you have to be really careful not to hit anything, and you look a bit odd doing it (especially in the supermarket). Plus your fingers go black before they go the right shade again.

This house, the far right of which you can just about make out in the above image (it's the hill just behind the house) is often referred to as the "Hobbit House" by locals.

There's one big difference between our area and The Shire, though - the wind and rain. But for now, it's a land of sunshine, blue sky and fluffy clouds, and there may be a few more outdoor drawing sessions to come.






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