Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik

"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully

"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Everything old is new again : Getting excited about Dipping Nibs

Everyone who sketches has a love of pens. We all have a collection of our favorites, the ones that feel right in our hand. I've certainly laid down a lot of miles with my personal trifecta: a ballpoint, the Lamy Safari, and the Pentel Pocket Brush (replaced these days with the Kuretake #13 plus Sable tip add-on).


I think I might be ready to retire my manufactured pens, in favor of dipping nibs. These little tin nibs are just so flexible. (Pun intended).


The great thing about nibs – they come in so many sizes and shapes – you can get a whole range of drawing styles for a few bucks. My mainstays (right now) are: a new Japanese crowquill called a “G” nib (used for fine lines).  A weird Brause nib called 361 Steno or ‘The Blue Pumpkin’. It’s a larger nib featuring a gunmetal blue finish. It seems to be a bit more flexy, offering a large range of tapering marks. And some chisel tips from Brause in 1 and 2.5 mm, used for bolder brush-like marks. These chisel nibs are the grandfather of the new ‘Parallel Pen’ you may have seen on the market.

Most of these were in the back of a drawer for 20 years, so I have no idea where they came from. But these days they are all available on Or, if you prefer to shop locally, just look for a stationers with a calligraphy section.


The first thing you’ll notice, drawing with a dipping nib, is the nice range between thick and thin marks you can make. They're much more responsive than a fountain pen.  For me, the next huge discovery is how easy it is to switch colors on the fly. And to jump around between water proof and water soluble on the same drawing. I have a little fleet of jars with different custom ink mixes. It's like alchemy, combining colors to get a favorite shade.

Yes, you could just carry a fat handful of pens (like my online crush Andrew Tan), but you’d need quite a few fountain pens to cover all the combos of nib styles, colored inks and solubility. I enjoy the elegance and efficiency in this minimal kit of pen nibs.


Shown here: 1 oz (30ml) Nalgene jars (leakproof). Syringe with large bore needle for measuring out ink mixes. 'Clip-on' oil painters medium tin that can go right onto a sketchbook or drawing board. I have four of them, from the Guerilla Paintbox brand – these have a rubber seal to prevent leaks.



Doing these 'research drawings' side by side with some traditional Lamy pen work had me saying “Time to toss out all the modern conveniences!”.

The only thing holding me back is the issue of mess. There is a much higher risk of ink spots, drips and stained fingers. And perhaps one day a serious spill. But you know, I think the risk is worth it. There is an energy to a messy drawing that I enjoy. I don’t want it to be perfect. If I wanted that, I’d go back to my previous career in digital art.

Next pen drawing outing (not sure when that will be – let me know if you want it soon!) I’m going to try Kiah Kiean’s ancient Chinese trick - filling a bottle with gauze, which is then saturated with ink. I want to see if this makes it spill proof. I’m not sure if it’s going to interfere with loading the pens with enough ink. More on that soon-ish.





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