Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik

"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully

"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

A foretaste of the Day of the Dead ...

In Provence, the mourning ceremonies have a strong community and public character ...

Once a close is "very tired" solidarity of neighbors and friends is set up ... Once death occurs, it is the death knell ringing which are more or less likely depending on the status of the dead ...

Some rituals immediately after the death that function to stop living in the home: clocks stop, turn the pans, put a veil over the mirrors to prevent the deceased binds these objects and open the window for that the soul can leave ...

Men and women, relatives of the deceased are still not separated from the funeral procession.  "Republican" men remain on the front of the church during the ceremony ...
Once the dead were buried by family areas in collective graves.
A Montelimar, the presence of the tomb of former President of the Republic Emile Loubet has frozen the family areas and no one can be admitted. ..

One hundred years later, the family went out, the names were deleted, foams invaded burials,  chains have rusted , gravel do not crunches under the path any more, the dead themselves are dead, and the wind in the cypress outweighs their suffering ...

... And yet on the eve of the Day of the Dead, as if by magic, flowers appear on these forgotten graves as a new spring with taste of memory...
 En Provence, les cérémonies de deuils ont un caractère fortement communautaire et public…
Dès qu’un proche est « bien fatigué » une solidarité de voisins et d’amis se met en place…Une fois le décès survenu, on fait sonner le glas dont les tintements sont plus ou moins nombreux en fonction du statut du mort…
Certains gestes rituels suivent immédiatement le décès qui ont pour fonction d’arrêter la vie dans la maison : arrêt des horloges, retourner les casseroles, mettre un voile sur les miroirs pour éviter que le défunt ne se fixe sur ces objets et ouvrir la fenêtre  pour que l’âme puisse quitter la demeure sans obstacle…
Hommes et femmes, non parents du défunt demeurent séparés du cortège funèbre. Les hommes « républicains » demeurent sur le parvis de l’Eglise pendant la cérémonie…
Autrefois les morts étaient enterrés par aires familiales dans des sépultures collectives.
A Montélimar, la présence de la tombe de l’ancien Président de la République a figé ces aires familiales et
plus personne ne peut y être admis.
Cent ans après, les familles se sont éteintes, les noms se sont effacés, les mousses ont envahi les sépultures, les fers ont rouillé, le gravier ne crisse plus sous les pas, les morts eux-mêmes sont morts, Et le vent dans les cyprès emporte leurs souffrances…
…Et pourtant à la veille du Jours des Défunts, comme par enchantement, des fleurs apparaissent sur ces tombes oubliées comme un nouveau printemps au goût du souvenir…




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