Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik


"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully



"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".
Blog
Flickr

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Sketching Paraty : Silhouette and Subdivide

14Sept17_Parati_00

I suppose Urban Sketchers readers are seeing a lot of Paraty these days! Well, here's a small collection of my personal sketches from the workshop. 

Paraty_Sketching_Snaps (2)Paraty_Sketching_Snaps (3)

Each morning of the workshop some of the keener painters would be up early. We had about a hour between breakfast and first classes to get a sketch in.  Some of the extraordinarily keen would get up before breakfast and paint, then stop back for those Brazilan cheesey puff ball things that the hotel puts out every morning.

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Paraty_Sketching_Snaps (9)Paraty_Sketching_Snaps (10)

The first day many of the international instructors ended up sketching right outside the hotel, just sitting in the street and catching new people as they got up and out. Eventually we had half of the symposium sitting in the street, getting right down to why we were there - obsessive sketching!

14Sept17_Parati_08Paraty_Sketching_Snaps (4)Paraty_Sketching_Snaps (5)

One of the fun stories from Paraty. Local people passing by on the way to work would naturally ask what was going on. This day we could say we had sketchers on the bridge from India, Scotland, Iran, Sweden, Australia, the USA, the UK, and Canada - painting together, learning from each other and having fun.

14Sept17_Parati_0714Sept17_Parati_05Paraty_Sketching_Snaps (6)Paraty_Sketching_Snaps (8)

Sketching out in the world, you are always seeing something unexpected. The streets flooding with sea water at high tide was fairly unexpected. But so was this horse strolling through the flood. What happened next was less unexpected. What would be the worst thing a horse could do while splashing by you in a muddy street? Yes, that happened. 

14Sept17_Parati_02

This is my first sketch done in Paraty, in the courtyard of our hotel.  I think regular readers of my blog will see what I mean by the phrase Silhouette and Subdivide. It's all encapsulated in this image here.

(For the history of this thought process, go back to my Direct to Watercolor series of posts).

The common strategy behind all of these rapid sketches is to look for the largest silhouette shapes in front of you - such as the broad leaf palms or the egg shapes of the clay pots. Place them down in a single brush stroke. Once you have the composition (it only takes moments to make a few big shapes), you can then look at each shape and see how it can be subdivided with the darker tones of shadows.

This is the logical followup to the 'colored sketching' exercise Tea, Milk and Honey that I teach beginners. After you TMH over a few dozen (well, maybe more) sketches, you'll find you don't really need the drawing any longer (if you don't want). My how-to book on Urban Sketching goes back further, to the very beginning of this learning curve, starting with how to see silhouettes and shadows when drawing.

~marc

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