Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik


"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully



"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".
Blog
Flickr

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

The Case of the Cervical Spine in Sanford Florida


Jillian O'Connor and her daughters hired me to sketch Dennis O'Connor, their father and husband as a gift for his birthday. On the evening before the court date, Jill sent me an e-mail to let me know that the trial would be in courtroom G of the Seminole County Courthouse in Sanford. Unfortunately I didn't read the e-mail until 1:30pm after I had written several articles. Court had started at 9am. Jill decided to sit in on the trial. This was the first time she had watched Dennis in a courtroom in 30 years. I called her in a panic and asked if the trial was still underway. She whispered that it was. I rushed to get dressed and quickly drove up to Sanford. I knew I was up against the clock since the trial would likely shut down for the day at 5pm.

I had to take my shoes off for security when I got to the courthouse but all my art supplies slipped through without a hitch.  Courtroom G is rather small with just 2 pews for spectators. There was a full jury but I knew better than to try and sketch them. Jill sat in the back pew wearing a red dress. I had seen Dennis in one photo and I spotted him as the lawyer on the far right with the yellow legal pad. I quickly sketched him in and then focused on everyone else. Judge Alan A. Dickey presided. For much of the time he seemed to focus on his computer the same was true of the court officer and the woman seated next to her. The most active person in the courtroom was the stenographer who often moved to get closed to anyone who was speaking.

The case involved a cervical spine injury of Samantha Stringer Bobbitt. Blame was implied again and again in the cross examination of a medical expert named Dr. Jones, who was paid $4000 for his time in court. Earlier in the day Dr. Scharfman had been examined as a medical expert. I actually used to go to Dr. Scharfman to try and handle constant headaches I suffer from due to a pinched nerve in my neck. The doctor prescribed a series of drugs, three of which I still take today so that I can function. Over time the drug cocktail seems to have lost it's effectiveness and I have stoically resigned myself to the fact that living is painful. However whenever I sketch, I forget about the pain as I wrestle with the creative process. So, I identified with Samantha's plight as they outlined six years in which she went to numerous specialists to try and control her pain. The human body is a frail and delicate structure with a nerve filled tent pole of a spine to defy gravity. Age and trauma either from daily chores or an accident can  cause those nerves if pinched to constantly send a signal of pain to the brain. It seems odd that so much expense went into finding a blame for the pain.

No expense was spared to create graphics to sway the juries opinions. Dennis's team of lawyers had a large dry mounted poster made up of a view of someone's back with hundreds of acupuncture needles protruding out of it. The opposing lawyer said that he didn't even object at the use of the image because of how creative Dennis's argument had been. Dennis knew Dr. Jones socially but on the stand he had to try and sway and challenge the doctors opposing opinion.

At 5pm the judge called for a recess. Dennis introduced his wife to the judge and he explained that this was her first time ever in the courtroom. After the jury left, the judge chastised the lawyers, saying the trial was taking much too long. He said if they didn't pick up the pace, then he would call a mistrial. After the judge left the lawyers justified their days work reassuring each other that it was hard to cover six years of medical treatment in a single day. The court officer noticed I was still sketching and she asked if I was actively involved with the defendant or the prosecution. I paused, not sure what to say, it was obvious she planned to kick me out of the courtroom. Dennis's assistant council covered for me saying I was involved in the presentation materials. If Dennis wasn't suspicious about what I was doing, he must have suspected after that little power play. In the end, I'm not sure of the outcome of the case of Samantha's spine, the backbone of truth was lost in a mountain of detail and grey innuendo. I do know a lot of money is involved. I was never paid for this assignment.

- Analog Artist Digital World

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