Meet the Correspondent: Marina Grechanik > Tel-Aviv, Israel$show=/search/label/Marina%20Grechanik

"Sketching is one of my passions. I don't feel comfortable when I leave home without a sketchbook and some pens in my bag. I think that my way to put things in my memory is to draw them. And taking pictures isn't the same thing.

I live in a very dynamic surrounding — Israel is a warm country with warm weather and warm people. Of course, we have seashores, which calm us a little bit. I love to sit in a corner of some Tel-Aviv coffee shop and explore relationships: between people, their environment, between myself. All this unique local mix of cultures, languages and styles is always a great source for inspiration. You need to be fast, because, as I said, everything is very dynamic. But that's why I love it so much.

Sometimes, I look around, and I find some usual items like sugar bags or napkins. I use them in my drawings to show the atmosphere. Sometimes I draw directly on placemats."

• Marina's art on Flickr.
• Marina's website.

Meet the Correspondent: Tina Koyama > Seattle$show=/search/label/tina%20koyama

"The dictionary says that a hobby is “an activity or interest pursued for pleasure or relaxation.” Although urban sketching certainly provides both pleasure and relaxation, I don’t think of it as my hobby. I think of it more as a way of life – something that has become such a normal part of my everydayness that it shapes how I view the world.

For most of my life I had both the fear of drawing as well as the desire to draw. In 2011, inspired by Gabi Campanario’s Seattle Sketcher column, I finally decided to overcome the fear. His drawings of Seattle – my birthplace and lifelong home – were of sights that I had seen many times, yet had never truly seen. I wanted to learn to see, and therefore experience, those locations (and any new ones that I travel to) more completely. Part 8 of the Urban Sketchers Manifesto, to “show the world, one drawing at a time,” has a flip side: Sketching enables me to see my own world, one drawing at a time.

In the last four years, it is not an exaggeration to say that Urban Sketchers has changed my life. I have met and sketched with many wonderful people around the globe, either at symposiums or during other travel, because the USk network brought us together. I sketch almost weekly with my local group, sharing sketches, art supplies and friendship. Even when I stay home and enjoy sketches online, I am still a part of that rich network, learning with every sketch about other people’s lives.

In May, my husband Greg and I went to France for the first time, and I sketched the Eiffel Tower. Sketching one of the world’s most famous icons felt like a dream come true – the ultimate in urban sketching. But although I can’t resist sketching world-famous icons whenever I’m fortunate enough to see them, for me, urban sketching is much more than that.

Urban sketching is a tree with its middle chopped away to accommodate Seattle’s ubiquitous power lines. It’s about a couple of women chatting over coffee, or about workers roofing the house next door. It’s about an excavator filling a hole where a cherry tree once stood. Or the Tibetan monastery I drive by frequently that I couldn’t resist because it’s bright orange. Urban sketching is a string band performing at a local farmers’ market – or perhaps in Villefranche-sur-Mer.

Celebrating the mundane as well as the famous is what urban sketching is all about. My sketches are not necessarily about “special” moments; they are moments made special because I sketched them."

Tina has been editor of Drawing Attention since 2013 and now serves on the Urban Sketchers editorial board. See more of her sketches on her blog, on Flickr and on Instagram.

Meet the Correspondent: Pete Scully > Davis, Calif.$show=/search/label/Pete%20Scully

"I am from urban north London, but now live in urbane Davis California. I sketch, I write, sometimes do things and go places and my name is Pete.

When not Davis, I sketch Sacramento, San Francisco, London, or anywhere else I happen to be. I tend to erase people and cars from my cities, but I'm starting to get over this.

Davis: calm, old-fashioned, progressive, quirky, very very hot in the summer. I use micron and copic pens, with watercolour."

• Pete's blog.
• Pete's art on Flickr.

Meet the Correspondent: Suhita Shirodkar > San Jose, Calif.$show=/search/label/Suhita%20Shirodkar

"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.

Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I’m capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.

I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".

Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Recent Sketches on Public Transport in London and a short trailer

Adebanji Alade: The Addictive Sketcher - Trailer 2012 from Masoud Jafari on Vimeo.

These are some recent sketches I have done on public transport in London. I normally use a basic black BIC ball point pen and for the tones a TOM BOW Number 75 Cool grey Dual Wash marker. I like side that has the brush-like tip.
The trailer was a 20 minute film produced  by a Masoud Jafari, he did a documentary on my life as an addictive sketcher for his MA in Documentary Production at the London University of Communication. The full film is not yet available on the web, I will let you know when it comes up.

The guy on the left knew I sketching him, we exchanged looks and he was a bit  tense, he was often on the phone and could have been worried about something. The lady on the right was going to an important event, I could tell from her dress., but what caught my attention was her face and the way her hair sort of gave it a divided feel of light-shade-light.

I enjoyed sketching the lady on the right. It was very straightforward from Canon Street to Victoria on the Circle Line,  I really liked the way she looked as if she was sleeping but she was actually really reading. I must have overworked the guy on the right, I had too much time at my disposal, the journey from Abbey Wood to London Bridge is 27 mins and I think it could have been simpler. He didn't help the situation with his constant moving so I lost a bit of his facial structure

Apart from the guy I briefly sketched at Fulham Broadway on the lower left hand side, the 3 main sketches are of the same guy. I sketched him from Charing Cross to Woolwich Dockyard, a journey that takes 31 mins on the train. I always enjoy sketching the same person in from different angles,  I knew he was moving and these are the 3 main modes he kept shifting into through out the journey. I worked on all three at the same time.

These are random heads- the woman on the left had a nice smile as she read her novel. I noticed her when I got on the train at Canon Street to Embankment on the District Line. I tried as much to avoid looking but I just couldn't, so I did a very quick sketch and put the tones in afterwards. The guy after her had a very interesting face-he was a bit far from where I was, but I managed to catch a glimpse of him and did his sketch from Woolwich Arsenal to Abbey Wood-A journey that lasts about 5 mins when it doesn't stop in between. Then came a rare opportunity- A lady in a bid to make sure she was undisturbed as she had her nap on the train, covered her head with a sort of jumper or scarf-That was great! It added a bit of mystery to her character, I really enjoyed this one, though short- it was sketched from Woolwich Dockyard to Woolwich Arsenal, a journey that takes 3 mins. then finally on a different journey  I couldn't complete a mans head I saw at canon Street to Mansion House on The District Line.

Here, I am on bus 11 and I sketch this lady's profile from Buckingham palace Rd to Victoria Street. I make 4 attempts as she keeps on moving, each time she moves, I start again. It's all about pure observation, no room to measure but its about imaginary plumbing and angles relating to others. The guy sleeping on the right was comfortable in his world, nothing seemed to bother him. He was just content and relaxed until he got to his stop. People are experts at these short naps and if you think they are really sleeping, you'll be shocked that immediately they get to their stops they spring to life! I sketched him from Greenwich to London Bridge-a journey that lasts 8 mins

I made 2 attempts to sketch the guy on the left, from Charing Cross to London Bridge, this journey lasts approximately 7 mins. I just love this man's features and hair, it's hard to resist. His features were outstanding. Then a man with a cap on the right was just pure delight! I just love faces like this, full of character! I make a more detailed study of him from London Bridge to Abbey Wood, a journey which lasts 27 minutes.

What happens? I sit down comfortably, thinking there's no need to sketch another face, it's only one stop left...then all of a sudden..a guy comes in at Euston-I'm blown away...only one stop to St heart beats fast.. I've got t
o capture him, I do my best by looking intensely but with mild strokes gliding in curves and all sorts over the paper........done!!! Phew- just wish I could extend my journey just for a few more minutes. I've done that before but not today, need to deliver my works in time before Drew leaves the gallery.
Then I'm at St Pancras International, I get the train to Harpenden- I see the profile of a bearded man- interesting- he has to go down- he knows I'm sketching him but he can't be bothered to say a word, he sneakingly discusses the sketch issue with his partner, they keep a keen eye on me.
I switch to a beautiful fair lady reading a magazine, her eye sockets are wonderfully carved from her forehead to produce an almost semi circular shape where there's just a little gap to place her reading eyes.. I sketch these latter two, till I get to Radlett.
Then while at Radlett I glance on a profile of a lady, I quickly sneak her in on the left hand side of the page spread till she gets off at St Albans.
This is a bit of what goes through my mind while I sketch on public it craze, passion or an addiction?- you be the judge, nuff said!

I get on the train at Kings Cross and I see a Lady with a cool cap and a nice black and white jumper-with black and white squares in the front- Life is a sketch! I just have to record this till I get to Victoria on the Victoria Line. Then from Lewisham to Abbey Wood, I have the luxury of about 35 mins to record a sleeping man. With a sleeping man and much time at my disposal, I relax and just enjoy the process, this time I was cautious not overwork it.

The human face remains to me a thing a wonder...I am on the train, I have just finished sketching an old man, then he gets off at London Bridge and sitting by his side is a lady, she's on the phone, her face is well treated, a sight that would hold any guy for a second or two-I hold my breath and sketch for 20 or so's the life of an urban sketcher-this is the page spread....shame I had to change at Woolwich Arsenal...





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