Meet the Correspondent: Omar Jaramillo > Berlin$show=/search/label/Omar%20Jaramillo

"I was born in Guayaquil, Ecuador, where I studied architecture. I moved to Kassel (Germany) in 1999 to accomplish a master degree. Although I have always drawn and paint, it was not until I started studying in the Uni-Kassel, that I started keeping a travel sketchbook. I had a teacher there who used to do a lot of sketches when he travelled on university excursions. When he retired, I helped to organize an exhibition of his sketches. He brought a huge box full of sketchbooks he had filled since he was an architecture student. I spent a whole day selecting the most interesting drawings. It was a wonderful experience that opened my eyes to a new world. In the last 10 years I have the feeling of being in a long journey. I like to discover the cities where I live, to understand why a place is the way it is and what makes it different and unique from others. Drawing is for me a way to learn to love a place, to become part of it. I like to draw architecture but I am more attracted to urban scenery, portraying how people live in the city. Since I’m a foreigner, everything that locals find normal and taken-for-granted, for me is exotic. I always carry a small watercolor travel set from Windsor and Newton and my sketchbook in my bag. I always thought that drawing was a solitary experience until I found Urban Sketchers. It was amazing to find so many people doing the same thing. It is a great place to share!" • Omar's blog. • Omar's art on flickr. • Omar's website.

Meet the Correspondent: Luis Ruiz > Malaga, Spain$show=/search/label/Luis%20Ruiz

Gaudí (& al. unfortunately)

The last day in August (CK again??)Víctor is drawing every Gaudí of Barcelona for a book. His plan for today is the Finca Miralles Fence so I go drawing with him. It's 4 in the afternoon, the sun is still high and casts long and quite ugly shadows, so I invent some others that probably do not exist but help explain the fanciful construction shapes.
Just as sometimes I leave out lampposts or litter bins if I think they don't matter with the drawing, I doubt whether to include or not the sculpture of Gaudí some brilliant mind decided to place standing on the way (things made to Gaudí are sometimes a joke). There's some website that literally says "... in 1999 the ensemble was completed with a sculpture ...". So it goes. I'm so speechless about that I decide to draw it as a kind of testimony. The sculpture itself is just a question of taste, nothing to say (absolutely nothing), but I have no words to express in a politically correct way what I think about its presence in the center of the stage.

The drawing Víctor made can be seen here.

Portal MIralles



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